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When encountering the six apparel on handmade dress forms abiding on the eighth attic of the Fabric Workshop and Museum in Philadelphia, a company may admiration if these things are meant to be worn.

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They resemble 18th aeon barbarian dresses – the affectionate layered with petticoats and aprons – accumulated from debris of old amphitheater costuming, some begin cloth and crochet, straw, baby heads, adhesive jewelry, baby pieces of artwork strung up with string, and at atomic one ablution mat.

“There are a brace of ablution mats,” said artisan Suzanne Bocanegra. “I’m absolutely into dollar stores.”

Each dress is accompanied by a baby article on the floor: a spinning wheel, a aberrant loom, bags of black beads, a allotment of art fabricated by one of Bocanegra’s children, as admitting she blanket it from the refrigerator door.

“When you accomplish art, it’s not like a crossword puzzle, and you’ve done the aftermost chat and, ‘Oh! It’s done!’ There has to be a lot of automatic decisions and chance,” she said. “The aftermost affair I appetite to accomplish is article absolutely calmly explainable.”

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On the surface, “Poorly Watched Girls” is calmly explainable. Bocanegra is reacting to an 18th aeon French ballet, “La Fille mal gardée,” about a poor acreage babe who avalanche in love. Her mother does not accept of the adolescent man, but she fails to watch her babe carefully enough, giving the babe jerk allowance to appointment her paramour.

Bocanegra is additionally cerebration about the admirers watching the girl, who represents a cleaned-up, romanticized adaptation of rural barbarian life. She seems to be blame at a class-based ability that exploited women, decidedly poor women.

“Rich bodies adulation the images of shepherds and bodies spinning and all that stuff,” she said. “The ballet appeared aloof afore the French Revolution, assuming all these peasants accomplishing barbarian things. Who goes to the ballet? The affluent royalty.”

Then Bocanegra’s advocate animation takes a turn.

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“All those contradictions I acquisition endlessly fascinating, in part, because I adulation that stuff. I adulation the spinning auto and shepherds, all that stuff,” she said. “Even admitting I was aloft to apperceive better.”

Bocanegra grew up in Texas, and spent summers on her grandparents’ farm. She says her grandmother never admired the hardscrabble acreage activity — and approved to brainwash in her granddaughter that there were added choices.

While a citizen artisan with the Fabric Workshop, she created the dresses and set pieces to accompany the ballet the way she imagines it, about amid pastoral artlessness and a decrepit and alive absorption of textiles.

For her aboriginal exhibition in abounding years (she has been added focused on affected performances of late), Bocanegra took over three floors of the Fabric Workshop to present four audible installations accompanying to women in trouble.

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Down a few floors from “Poorly Watched Girls” is “Valley,” a multi-channel video accession of larger-than-life projections of women assuming Judy Garland’s analysis for the blur “Valley of the Dolls.”

Garland was originally casting in the apish 1967 film, but was cut afore assembly wrapped. It was during a low point in her activity (she died two years after from an balance of barbiturates), and affidavit why she was let go — or quit? — are unclear.

Bocanegra re-created Garland’s “Valley of the Dolls” apparel analysis by allurement 12 women performers of assorted ages and ancestral backgrounds to actor Garland chat for word, action for gesture, cutting Garland’s costumes, which accept been re-created by the Fabric Workshop.

The aftereffect is a gauntlet of assertive and able women advantageous admiration to a aerial aptitude who was brought bottomward by an ball industry that exploited her.

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One the arena attic of the Fabric Workshop is “Lemonade, Roses, Satchel,” a video starring Shara Nova, a accompanist from the art-pop bandage My Brightest Diamond. Nova is dressed in one of Bocanegra’s barbarian dresses – evocative of the eighth-floor accession – while singing about lemonade, roses, and a attache of money.

When Bocanegra’s grandmother, who suffered from aboriginal access dementia, afresh phrases over and over, she wrote bottomward what her grandmother’s words.

“I thought, ‘Wow, Grandma is aloof like Gertrude Stein,’ ” she recalled, accepting aloof been alien to Stein’s repetitive poetry.

Out of the aperture of Nova, accompanying herself on autoharp, the repetitive phrases do not complete out of abode as a pop song. In reality, they are the words from a breakable brain.

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Bocanegra is sometimes asked if audition her grandmother’s words upsets her: “ ‘Oh, how does it accomplish you feel back you apprehend that? Does it accomplish you sad?’

“Not at all. I feel that affairs were what they were, this was who she was, and this is accident to her,” she said. “It was a way to accomplish it beautiful.”

The final allowance of the exhibition is about like a shrine. The walls are belted with baby pages broken from “A Guide to the Catholic Sisterhood in the United States.” Each folio has a description of one adjustment of nuns, its requirements for admission, and a photo of its audible habit. Bocanegra calls it “baseball cards for nuns.”

Bocanegra presents them as characters in a 1956 French opera, “Dialogues of the Carmelites,” in which all the sisters of a abbey during the French Revolution were beheaded (true story). Each photo from the archive of American nuns is cautiously embroidered, as admitting costumed for the stage.

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The allowance is abounding with music, accounting by Pulitzer Prize-winning artisan David Lang (Bocanegra’s husband) who asked hundreds of women to complete the sentence: “When I am abandoned …” The answers became the lyrics, articulate by addition Pulitzer winner, Caroline Shaw.

“Poorly Watched Girls” will abide until Feb. 17. Near the end of the run, on Feb. 8, Bocanegra will accomplish one of the affected lectures that she has become accepted for, administration the date with extra Lili Taylor.

“Farmhouse/Whorehouse” is, again, about her grandparents’ farm, which was amid beyond the artery from the Chicken Ranch, an abominable brothel after depicted in the blur with Dolly Parton, “Best Little Whorehouse in Texas.”

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