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Mary L. Seward-Miller, a acclaimed Baltimore watercolorist who was accepted for her cityscapes, amusing country scenes, winterscapes, Maine seascapes and still lifes, died Jan. 29 at Stella Maris Hospice of complications from a fall. She was 86.

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“She had been my student, and I advised her the best apprentice I anytime had and I told her that. It’s a adventure of how the apprentice anon became a master,” said Frederic “Fritz” Schuler Briggs, a Baltimore artisan who teaches at the Schuler School of Fine Arts. “She was acutely artistic and took off and did all kinds of amazing things. She was a watercolorist but additionally accumulated pastels and assets in her work.”

The babe of Samuel Henry Bartlett, a Chicago & Northwestern Railway accountant, and Marie Philamin LaRoy Bartlett, Mary Louise Bartlett was built-in and aloft in Chicago, area she accelerating from St. Benedict High School.

Her absorption in art began back she was a child, and she accustomed her aboriginal training at the Art Institute of Chicago. She connected her art studies at what is now Siena Heights University in Adrian, Mich., which she abounding on a abounding scholarship.

After her alliance in 1950 to Robert Powell Seward, a Baltimore built-in who was alive in Chicago as a band salesman, the brace alternate to the burghal and acclimatized in a home in Hamilton.

They lived for a time in Original Northwood afore affective to an 80-acre horse acreage in Monkton, which provided Mrs. Seward-Miller with afflatus for abounding of her watercolors of barns, houses, fields and country life.

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After her annulment from Mr. Seward in 1973, she confused into an apartment, and in 1977 purchased a 150-year-old rowhouse aforetime endemic by a dockworker on Harden Court in Federal Hill, which she absolutely renovated. She adapted a third-floor allowance into her studio.

“It was adulation at aboriginal sight,” she told The Baltimore Sun in a 1981 interview. “I saw it and said, ‘That’s area I appetite to live.’ It charge accept been a moment of insanity.”

Mrs. Seward-Miller busy the walls of her home with her artwork.

“The light, aerial pictures echo the capacity and shapes begin in ‘old master’ works and appearance the accord of bodies to animals,” empiric the newspaper. “The paintings are large, but they assignment able-bodied in the little allowance and enhance rather than overpower it.”

Mrs. Seward-Miller was alive as a bartering artisan back she acclimatized in Federal Hill, and was additionally an abettor with the Equitable Activity Assurance Society.

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She lived in Federal Hill for 15 years and rather than painting awkward country scenes began painting cityscapes that she empiric from the windows of her studio.

Through the years, she apparent her art in juried and invitational art shows in Baltimore, some of which included the 26th Street Art Galleries, Morris Mechanic Theatre, Baltimore Burghal Hall, Katzenstein Gallery, Baltimore Activity Insurance Gallery, University of Baltimore Gallery and Gallery 30 in Gettysburg, Pa.

“Louise Seward-Miller’s watercolors portray the accepted scenes — tugboats in the harbor, Mount Vernon Place, Fells Point,” wrote Sun art analyzer John Dorsey in 1987 of an display at the Eubie Blake Museum.

“She is at her best back her accountable is not one of the above landmarks, such as Mount Vernon Place, but is an bearding bend of the city,” wrote Mr. Dorsey. “In ‘Summer, South Baltimore,’ for instance, she captures the tumbled, arresting agreeableness of angled roofs and backyards.”

Mrs. Seward-Miller already explained that she accepted the plein-air appearance of painting and that watercolors “were a absolute average to abduction the adventure of actuality there.”

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“Her watercolors were aloof phenomenal, and there was aloof so abundant joy in her work,” said Mr. Briggs.

She was in her 40s back she absitively to acknowledgment to academy and acquire her degree. In 1975, she was a summa cum laude alum of Towson University, area she becoming a bachelor’s amount in flat art.

“It wasn’t easy,” she told The Sun in a 1980 interview, “but I had a faculty of purpose.”

Mrs. Seward-Miller’s assignment becoming her civic recognition, such as back the Civic Wildlife Foundation reproduced renditions of wildlife. She additionally created a Christmas agenda for the Friends of the Civic Parks at Gettysburg.

Her assignment was featured in American Artisan Magazine, Color Magazine and in The Sun, and some of the audience to whom she awash reproduction rights of her assignment included the Federal Reserve Bank, Civic Wildlife Federation and Barton-Cotton Inc., a Baltimore cartoon and press company.

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Additional ceremoniousness included the Watercolor Award from the Three Arts Club of Homeland, Katzenstein Gallery Award for her painting of the Pride of Baltimore II, and the Holbein Award from the Baltimore Watercolor Society, of which she was a member.

In 1990, she became the aboriginal woman to accompany the Charcoal Club, which had been an all-male work back its founding in 1883 by artists who capital to draw application nude models. She after served as carnality admiral of the club.

“I brought her into the Charcoal Club area she contributed a abundant deal,” said Bob Brown, an artisan and teacher, who counted Mrs. Seward-Miller amid his students. “She had a able personality and was such a joy and a admirable acquaintance for 50 years.”

“Joining the Charcoal Club was absolutely an account for her,” said Mr. Briggs. “She was a abundant raconteur and admirable to be around. She had such a aerated personality.”

In 1983, she affiliated James “Bing” Miller, a applesauce artist and drummer, who died in 1998.

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In 2003, Mrs. Seward-Miller confused to the Homewood at Plum Creek retirement association in Hanover, Pa., area she was a affiliate of St. Joseph Roman Catholic Church.

In contempo years, Mrs. Seward-Miller was affected to accord up painting because of macular degeneration.

A Mass of Christian burying will be offered at 1 p.m. Saturday at St. Isaac Jogues Roman Catholic Church, 9215 Old Harford Road, Baltimore.

She is survived by three sons, Bart Seward of Fallston, Ben Seward of New Freedom, Pa., and Bruce Seward of Perry Hall; two daughters, Mary Ellen McLewee of Sparks and Melinda Leckrone of Stewartstown, Pa.; three stepsons, Gary Miller and Wesley Miller, both of Glen Burnie, and Jay Miller of Lafayette, Colo.; a stepdaughter, Lori Miller of Carrboro, N.C.; 16 grandchildren; and two great-grandchildren.

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